Six seasons. Countless lies. Too many bodies. And one woman at the center of it all—Annalise Keating. How to Get Away with Murder wasn’t just a show about crime—it was about survival, legacy, and the emotional cost of carrying everyone else’s secrets. From the night Sam Keating died to the moment Annalise stood on the stand and told the truth about herself, this show never stopped pushing the limits. In this blog series, I break down every season, rank every character, and process the heartbreak that came with the final goodbye.

I had to watch Severance twice to appreciate its brilliance. The first time, I was bored and confused. The second time? I was obsessed. This isn’t just a slow-burn sci-fi—it’s a chilling, cerebral masterpiece about identity, control, and the emotional cost of compartmentalizing your pain. In this review, I break down the themes, characters, standout moments, and why Season 2’s finale changed everything.

These aren’t just fictional characters—they’re emotional blueprints. Each one taught me something about survival, power, trauma, or self-worth. In this piece, I break down nine of the most psychologically complex characters I’ve ever connected with—and what they revealed about me.

The Count of Monte Cristo isn’t just a classic—it’s the blueprint for every revenge story that came after it. This piece is a full breakdown of betrayal, transformation, and the emotional toll of vengeance. From chapter one to final reckoning, we follow Edmond Dantès as he rises from innocent sailor to merciless mastermind—and eventually, something softer.

Pretty Little Liars trained us to pay attention—then punished us for doing it. This blog post dissects how a once-promising teen mystery collapsed under the weight of its own chaos. From endless plot holes and discarded storylines to predatory “romances” and last-minute twists, here’s why the mystery that started it all couldn’t handle its own hype.

Joe Goldberg is not misunderstood—he’s calculated. This blog dives into the psychological makeup of TV’s most manipulative antihero, exposing the dangerous blend of charm, obsession, and unresolved trauma that drives his violence—and why viewers keep forgiving him.

Holy Hell: Why The Righteous Gemstones Is the Most Chaotic (and Accurate) Satire on TV” is a deep dive into Danny McBride’s hilarious, unhinged megachurch masterpiece. From shotgun sermons to emotional breakdowns in sequins, this blog explores the Gemstone family’s hypocrisy, dysfunction, and glitter-drenched brilliance—with a few Succession comparisons sprinkled in for good measure.

Joe Goldberg was never chasing love — he was chasing control. You wasn’t a love story. It was a horror story told from inside the mind of a monster, and by the final season, Joe could no longer outrun the truth he spent years hiding from: himself.

The White Lotus isn’t just about rich people on vacation—it’s a psychological horror disguised as luxury. Every season, someone dies. Every season, the wealthy escape consequence. But beneath the surface, the show is exposing something deeper: the lies we tell ourselves to feel safe.

Some shows don’t just entertain—they imprint. These five series didn’t just pass time, they changed me. From redefining justice to teaching me the cost of revenge, these comfort shows have been on repeat for years. And if I could experience them for the first time all over again… I would, in a heartbeat.

Succession isn’t just about rich people—it’s about emotionally stunted heirs trying to inherit power they were never emotionally equipped to hold. It’s a modern Shakespearean tragedy disguised as an HBO drama, where every move is strategic, every relationship transactional, and every child quietly screaming for their father’s love.

The show’s brilliance isn’t in the business battles—it’s in the emotional warfare. These aren’t serious people. They’re broken people. And in the end, that’s what makes Succession so powerful. This blog breaks down its Shakespearean core, its tragic characters, the lessons each one left behind, and why the ending was exactly what it needed to be.